I traveled to Nashville last year on a trip with a friend. When I went again this year, I discovered that Music Row is not the bright, neon crowds of Broadway, but far away. Broadway is just Nashville's tourist row, and it is good at what it does. Attracting hundreds of thousands on New Years and the preceding night, it was like one giant, ongoing party. The colors stretch all the way down the street with tourists, people seeking to sell newspapers and goods, and everyone else in the city.
I frequently relax by listening to post-rock bands. This has a few effects if I do so while working on photography. Photographs worked on tend to take on a more abstract look, and the titles tend to be... Longer. Many bands in post rock have sentence-length song titles. Anyway, I relaly felt like one was fitting for this photograph. Despite being clearly a nature photograph of birds, it has a very distinct appeal.
I had never tried using my 75-300mm lens for macro work until last year. I've owned one since 2008 or so, but only tried using it for far-off subjects. Last summer, I began trying it out for macro work. It's not the best, but it gives me something to work with. I also managed to obtain a 60mm f/2.8 macro, and this is one of my earliest captures on it. At the time, I had a less than complete knowledge of apertures and depth of field. I've learned a lot since then. However, I feel like this shot really came out as a quality composition. The bokeh was excellent. The sharpness of the honeybee and the foreground flower. I am totally satisfied with this. I was not so satisfied with my hands and knees, though. This flower was just off a path paved with some kind of glued-together pebbles, and it hurts to sit in it.